अ॒यं दे॒वाय॒ जन्म॑ने॒ स्तोमो॒ विप्रे॑भिरास॒या । अका॑रि रत्न॒धात॑मः ॥
ayám devā́ya jánmane stómo víprebhirāsayā́ ǀ ákāri ratnadhā́tamaḥ ǁ
Verses 1, 2
अ॒यं दे॒वाय॒ जन्म॑ने॒ स्तोमो॒ विप्रे॑भिरास॒या । अका॑रि रत्न॒धात॑मः ॥
ayám devā́ya jánmane stómo víprebhirāsayā́ ǀ ákāri ratnadhā́tamaḥ ǁ
य इंद्रा॑य वचो॒युजा॑ तत॒क्षुर्मन॑सा॒ हरी॑ । शमी॑भिर्य॒ज्ञमा॑शत ॥
yá índrāya vacoyújā tatakṣúrmánasā hárī ǀ śámībhiryajñámāśata ǁ
In these opening verses, the Ṛṣi introduces the crafting of the divine song, mirroring the wondrous craftsmanship of the Ṛbhus themselves. The hymn is described as being fashioned by wise seers (viprebhiḥ) using the breath or mouth (āsayā), destined for the divine birth of the gods. This verse establishes an intimate parallel between poetic composition and divine artistry; just as the artisan shapes wood or metal, the sage shapes speech into a vehicle of ultimate value. Moving to the second verse, the focus shifts to the Ṛbhus fashioning the harī (the two golden bay horses) for Indra using only their mind and the power of speech (vacaḥ-yujā). By shaping these mind-harnesses of consciousness, they attain and fulfill the sacrificial work (yajñam āśata). The narrative here highlights how profound inner concentration and inspired utterance create the very dynamic forces that propel the divine hero, Indra, into action within the human heart.
Verse 1: This song, the best bestower of treasures, has been fashioned for the divine birth by the wise seers using the breath of inspiration.
Verse 2: They who with their mind fashioned the two mind-yoked bay steeds for Indra, and through their sacred works attained the sacrifice.
Sāyaṇa interprets the creation of Indra's horses and the subsequent divine feats literally as miraculous engineering by the Ṛbhus. Sri Aurobindo views the Ṛbhus as the human faculties of aspiration and discipline that elevate mortal consciousness into divine immortality through psychological mastery.
| Devanāgarī | IAST | Translation |
|---|---|---|
| अयम् | ayam | this |
| देवाय | devāya | for the god / divine |
| जन्मने | janmane | for the birth / manifestation |
| स्तोमः | stomaḥ | praise / song of praise |
| विप्रेभिः | viprebhiḥ | by the wise sages / seers |
| आसया | āsayā | by the mouth / speech / breath |
| अकारि | akāri | has been made / fashioned |
| रत्नधातमः | ratnadhātamaḥ | the most abundant bestower of jewels/treasures |
| Devanāgarī | IAST | Translation |
|---|---|---|
| ये | ye | they who |
| इन्द्राय | indrāya | for Indra |
| वचोजुजा | vacaḥyujā | yoked by word/speech |
| ततक्षुः | tatakṣuḥ | they fashioned / carved |
| मनसा | manasā | with the mind |
| हरी | harī | the two bay horses |
| शमीभिः | śamībhiḥ | by ritual works / diligent efforts |
| यज्ञम् | yajñam | the sacrifice / divine work |
| आशत | āśata | they attained / reached |
Picture a master sculptor chiseling marble not with a hammer, but simply with the breath of thought, carving divine horses out of pure air and light.
Verses 3, 4
तक्ष॒न्नास॑त्याभ्यां॒ परि॑ज्मानं सु॒खं रथं॑ । तक्ष॑न्धे॒नुं स॑ब॒र्दुघां॑ ॥
tákṣannā́satyābhyām párijmānam sukhám rátham ǀ tákṣandhenúm sabardúghām ǁ
युवा॑ना पि॒तरा॒ पुनः॑ स॒त्यमं॑त्रा ऋजू॒यवः॑ । ऋ॒भवो॑ वि॒ष्ट्य॑क्रत ॥
yúvānā pitárā púnaḥ satyámantrā ṛjūyávaḥ ǀ ṛbhávo viṣṭyákrata ǁ
Here the magnificent deeds of the Ṛbhus are cataloged with awe. They carved a swift, comfortable chariot for the Aśvins (the divine physicians of light and transition), and they crafted the miraculous wish-fulfilling cow (dhenu sabardughā) that yields endless streams of nourishment. These acts are symbols of supreme spiritual capability—constructing the vehicle of movement through planes of consciousness and manifesting inexhaustible spiritual sustenance. In the fourth verse, the Ṛṣi marvels at how these divine craftsmen made their aged parents young again, fulfilling truth-mantras with straight-walking righteousness (ṛjūyavaḥ). The rejuvenation of the parents is one of the signature myths of the Ṛbhus, symbolizing how mortal, decaying elements of human nature are recast into ageless, divine purity through persistent dedication (viṣṭy akrata).
Verse 3: They fashioned for the Aśvins a swift-moving, comfortable chariot, and they fashioned the all-yielding cow.
Verse 4: True in their mantras and straight in their striving, the Ṛbhus made their aging parents young again through diligent toil.
Tradition treats the parents as Heaven and Earth or the creators' own aged bodies. Psychologically, the 'parents' represent the primordial, worn-out physical and mental habits which the enlightened seeker revitalizes into a fresh, divine vitality.
| Devanāgarī | IAST | Translation |
|---|---|---|
| तक्षन् | takṣan | they fashioned / carved |
| नासत्याभ्याम् | nāsatyābhyām | for the two Nāsatyas (Aśvins) |
| परिज्मानम् | parijmānam | moving everywhere / roaming around |
| सुखम् | sukham | comfortable / smooth-going |
| रथम् | ratham | chariot |
| धेनुम् | dhenum | cow |
| सबर्दुघाम् | sabardughām | yielding rich milk / nectar |
| Devanāgarī | IAST | Translation |
|---|---|---|
| युवाना | yuvānā | young / youthful |
| पितरा | pitarā | the two parents |
| पुनः | punaḥ | again |
| सत्यमन्त्राः | satyamantrāḥ | whose mantras are true / effective |
| ऋजुयवः | ṛjūyavaḥ | straight-seeking / upright |
| ऋभवः | ṛbhavaḥ | the Ṛbhus (radiant artisans) |
| विष्ट्या | viṣṭyā | by persistent labor / enterprise |
| अक्रत | akrata | they made / performed |
Imagine an ancient chariot gliding effortlessly across the cosmos, alongside a divine cow pouring rivers of liquid gold, while elderly parents step out of old age into radiant youth.
Verses 5, 6
सं वो॒ मदा॑सो अग्म॒तेंद्रे॑ण च म॒रुत्व॑ता । आ॒दि॒त्येभि॑श्च॒ राज॑भिः ॥
sám vo mádāso agmaténdreṇa ca marútvatā ǀ ādityébhiśca rā́jabhiḥ ǁ
उ॒त त्यं च॑म॒सं नवं॒ त्वष्टु॑र्दे॒वस्य॒ निष्कृ॑तं । अक॑र्त च॒तुरः॒ पुनः॑ ॥
utá tyám camasám návam tváṣṭurdevásya níṣkṛtam ǀ ákarta catúraḥ púnaḥ ǁ
The ecstasy of realization deepens as the Ṛṣi invokes the collective communion of divine forces. In the fifth verse, the intoxicating raptures (madāsaḥ) of the sacrifice come together in union with Indra, accompanied by the Maruts (storm-gods of dynamic vital breath) and the Ādityas (solar sovereign deities). This is a moment of cosmic integration where human striving merges with cosmic grace. The sixth verse celebrates another legendary feat: transforming a single drinking chalice of Tvaṣṭṛ (the divine architect) into four distinct bowls. This act of multiplication and division represents the structural expansion of divine consciousness—taking the singular source of bliss and distributing it into the four quarters of existence without losing its essence.
Verse 5: May your rapturous intoxications come together with Indra, accompanied by the Maruts and the royal Ādityas.
Verse 6: And also that new chalice, the handiwork of the god Tvaṣṭṛ, you made into four once again.
Sāyaṇa narrates the famous tale where the gods tested the Ṛbhus by asking them to make four cups out of Tvaṣṭṛ's single chalice; the Ṛbhus succeeded so perfectly that Tvaṣṭṛ hid in anger. Mystically, the one divine heart/mind expands into the fourfold cosmic psychological instruments.
| Devanāgarī | IAST | Translation |
|---|---|---|
| सम् | sam | together |
| वः | vaḥ | your |
| मदासः | madāsaḥ | joys / intoxications / raptures |
| अग्मत | agmata | have come together / met |
| इन्द्रेण | indreṇa | with Indra |
| च | ca | and |
| मरुत्वता | marutvatā | accompanied by the Maruts |
| आदित्येभिः | ādityebhiḥ | with the Ādityas (solar gods) |
| राजभिः | rājabhiḥ | kings / sovereign lights |
| Devanāgarī | IAST | Translation |
|---|---|---|
| उत | uta | and / also |
| त्यम् | tyam | that |
| चमसम् | camasam | chalice / drinking vessel |
| नवम् | navam | new |
| त्वष्टुः | tvaṣṭuḥ | of Tvaṣṭṛ (the divine smith) |
| देवस्य | devasya | of the god |
| निष्कृतम् | niṣkṛtam | handiwork / creation |
| अकर्त | akarta | you made |
| चतुरः | caturaḥ | four |
| पुनः | punaḥ | again |
Visualize a single glowing crystal chalice of divine nectar being split into four radiant cups, held aloft in a grand feast shared by Indra, the Maruts, and the radiant sun-gods.
Verses 7, 8
ते नो॒ रत्ना॑नि धत्तन॒ त्रिरा साप्ता॑नि सुन्व॒ते । एक॑मेकं सुश॒स्तिभिः॑ ॥
té no rátnāni dhattana trírā́ sā́ptāni sunvaté ǀ ékamekam suśastíbhiḥ ǁ
अधा॑रयंत॒ वह्न॒योऽभ॑जंत सुकृ॒त्यया॑ । भा॒गं दे॒वेषु॑ य॒ज्ञियं॑ ॥
ádhārayanta váhnayó’bhajanta sukṛtyáyā ǀ bhāgám devéṣu yajñíyam ǁ
The hymn reaches its crescendo with the Ṛṣi petitioning the Ṛbhus for treasures. In verse seven, the request is made for three sets of sevenfold treasures (trīrā sāptāni) to be bestowed upon the one who presses the soma, each gift honored through sublime praises. This triple-seven structure represents completeness across all planes of being—physical, mental, and spiritual. The concluding verse describes how the noble upholders of truth (vahnayaḥ) firmly established and partook of their rightful, sacrificial share among the gods through skilled craftsmanship (sukṛtyayā). The Ṛbhus, once mortal workers, earned immortality through flawless execution of inner and outer sacrifice, leaving a glowing path for all spiritual seekers to follow.
Verse 7: Do you bestow upon us treasures, threefold sevenfold for the soma-presser, each one by one with our beautiful praises.
Verse 8: The bearers of the flame upheld it, and by their perfect craftsmanship they obtained their rightful share among the gods.
Sāyaṇa explains 'trīrā sāptāni' as multiples of divine gifts spanning earth, mid-world, and heaven. Commentators agree that this verse cements the Ṛbhus' transition from mortals to full divinity, sitting proudly at the table of the gods.
| Devanāgarī | IAST | Translation |
|---|---|---|
| ते | te | they / you |
| नः | naḥ | to us |
| रत्नानि | ratnāni | jewels / treasures |
| धत्तन | dhattana | grant / bestow |
| त्रिः | triḥ | three times / threefold |
| आ | ā | fully / towards |
| साप्तानि | sāptāni | sevenfold |
| सुन्वते | sunvate | for the soma-presser / worshiper |
| एकमेकम् | ekam-ekam | each one individually |
| सुशस्तिभिः | suśastibhiḥ | with good praises / hymns |
| Devanāgarī | IAST | Translation |
|---|---|---|
| अधारयन्त | adhārayanta | they upheld / maintained |
| वह्नयः | vahnayaḥ | bearers / carriers / priests |
| अभजन्त | abhajanta | they obtained / partook of |
| सुकृत्यया | sukṛtyayā | by good craftsmanship / right action |
| भागम् | bhāgam | portion / share |
| देवेषु | deveṣu | among the gods |
| यज्ञियम् | yajñiyam | worthy of sacrifice / divine |
Picture a harvest table laden with twenty-one overflowing baskets of jewels (3 x 7), distributed joyfully to those who worked diligently under the golden light of dawn.